LEC052012. Aparna Reghunathan. Thesis Statements

 

1. The lockdown will inevitably open doors to the ontological reconstruction of the concept of home.

2. Atticus Finch’s parenting in Harper Lee’s “To Kill A Mocking Bird” quashes the popular myth of ineptitude of single male parenting.

3. The male universe in Kumbalangi Nights was intricately designed to subvert hypermasculinity in cinema.

4. Subversive acts in 'Tickets,Please!' underscores Bakhtin's conception of the subversive potential of carnival.

5. The Tamil anthology film Paava Kadhaigal depicts the habituated tendency to locate honour in bodies of the female.

6. Refuting the idea of menstrual leave on the grounds of biological determinism advocates a singular, capitalist model of existence.

7. Online classes have further diminished the inter-personal skills of individuals, threatening a difficult transition to normalcy.

8. Online platforms, even while dealing with a diverse range of unconventional topics, spatially limit itself to comfortable urban spaces that house the privileged and the cultured.

9. The movie Ayyappanum Koshiyum underlines the hypermasculinist tendencies of Malayalam cinema as it ends up celebrating the very toxic masculinity it tried hard to critique.

10. The Malayalam movie Ishq fails miserably in addressing the relevant social issues it devoted its screen time for.

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